Posts Tagged: remix culture

Yet another beautiful example of remixing and mash-up by very talented young artist.

This video would be an excellent piece of material to study with students and teachers to discuss the contemporary art form of audiovisual remixing and satire. The video features several elements worth analyzing, such as: the technical and artistic ingenuity involved in this one person performance of a four-person accapella song, the analytical skills required to create a seamless mash-up of four different songs, the knowledge of popular culture and current international affairs needed to create the lyrics for this song, the engagement and talent necessary to bring the text alive (facial expressions, intonation, etc…)

Artist: DJs from Mars
Title: Insane (In Da Brain)

Another nice example of intertextuality and remix culture. This time the reference is purely visual as the video clip for this track refers to a multitude of ‘classic’ pop music videos and album cover.

In particular, this clip refers to the following songs and albums (in chronological order):

  1. Fat Boy Slim - Right Here, Right Now (1999)
  2. The Verve - Bitter Sweet Symphony (1997)
  3. The Beatles - Abbey Road (1969)
  4. Michael Jackson - Thriller (1983)
  5. Daft Punk - Around The World (1997)
  6. [uncertain] - ??
  7. Queen - I Want To Break Free (1984)
  8. Bruno Mars - The Lazy Song (2011)
  9. Kyle Minogue - Can’t Get You Out Of My Head (2001)
  10. Katy Perry ft. Snoopy Dogg - California Gurls (2010)
  11. Rihanna - Only Girl (In The World) (2010)
  12. Guns N’Roses - November Rain (1992)
  13. The White Stripes - Seven Nation Army (2003)
  14. [uncertain] - ??
  15. The Prodigy - Firestarter (1996)
  16. OK Go - Here It Goed Again (2006)
  17. [uncertain] - ??
  18. Aerosmith & Run-DMC - Walk This Way (1986)
  19. Beastie Boys - Intergalactic (1998)
  20. Benny Benassi - Satisfaction (2002)
  21. Korn - Freak on a Leash (1999)
  22. Nirvana - Nevermind (1991)
  23. Lady Gaga - Poker Face (2008)
  24. Fifty Cent - In Da Club (2003)
  25. Britney Spears - Baby One More Time (1998)
  26. Swedish House Mafia - One (Your Name) (2010)
  27. The Chemical Brothers - Star Guitar (2002)
  28. [uncertain] Bomfunk MC’s - Freestyler (1999)
  29. LMFAO ft. Lauren Bennet & GoonRock - Party Rock Anthem (2010)
  30. [uncertain] The Pussycat Dolls - Jai Ho (2009)
  31. Pink Floyd - Another Brick In The Wall [part 1] (1979)
  32. Madonna - Music (2000)

This is a nice example of transculturation and transmedia storytelling which can be analysed using McLuhan’s Tetrad of Media Effects.

This song by The Limousines is called ‘Internet Killed the Video Star’ (released on Youtube in 2010 and officially released as a CD-single in 2011), which alludes to the song ‘Video Killed the Radio Star’ written and performed by The Buggles (released in 1979). Through the title, this song by The Limousines retrieves elements of a song(-format) that was popular during the heydays of Televised Music. Like The Buggles, The Limousines are thematizing the phenomenon of media obsolescence: as one medium is introduced and becomes popular, another ‘older’ medium become obsolescent and starts to disappear. The sense of obsolescence is enhanced by the way the song is produced: while The Buggles had a video-clip to accompany their lyrics, The Limousines produced and promoted their song via the Internet (on Youtube, and later through the iTunes store). Finally, the song ‘Internet Killed the Video Star’ reverses (and exaggerates) the idea presented in the song ‘Video Killed the Radio Star’.

Source: youtube.com

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mozillaxray

Explore and mess around with the code behind any web page using the amazing X-Ray Goggles.

The X-Ray Goggles let you see and remix the elements that make up any web page. Turn them on to see what the web is made of, and then swap in your own text and images like magic.

(…)

Explore and mess around with the code behind any web page using the amazing X-Ray Goggles.

The X-Ray Goggles let you see and remix the elements that make up any web page. Turn them on to see what the web is made of, and then swap in your own text and images like magic.

(…)

Share your remix. Take a screenshot of your remix and share it with friends using the hashtag #mozparty.

Source: webmaker.org

Dr. Who is one of the longest running TV shows on the BBC, and it’s got a huge fandom surrounding it, called Whovians. And while it might not seem like, Whovianism, might just be RELIGION!!!!! Whovians, like other passionate fan cultures, create art & fan fiction and engage in a strong remix and cosplay culture. But it’s more than that. Dr. Who provides a philosophy; a way of understanding the universe. Fans embrace this in ways that are similar to most world religions: a positive influence that changes their approach to daily life. Also, the Tardis makes a pretty great shrine!

Source: youtube.com

A true movie for the digital age with adrenaline-fueled performances by mash-up phenomenon Girl Talk

Source: ripremix.com

Kirby Ferguson’s 2012 TED talk on: “Embracing the Remix”

The basics of learning and creation according to Ferguson… [and I agree, and so would Lev Vygotsky, I think]

Ferguson's view on creation

Source: ted.com

50 Shades of Gray, or how fan-fiction and ebooks suddenly became a success story.

Dubstep, avant-garde art and futurists…

Sometimes the new is not all that new!

Source: flavorwire.com

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By Reena Jana (July 3, 2012)

Not so long ago, in the mid-2000s, many conversations in offices, schools, and even parties centered around the exciting concept of radical openness made possible by then-new social media. But now, as the 2010s are in full swing and social media are established, dominant platforms, how can we—as designers, strategists, organizations, consumers, and individuals—best harness the widespread acceptance of radical openness? The recent TEDGlobal conference in Edinburgh, Scotland, offered a fascinating and widely varied lineup of speakers who, collectively, helped to answer this question. Or at least will help propel the discussion forward, long after the conference ended on June 29.

Four main themes emerged across five days of talks both on the TED stage and impromptu conversations around Edinburgh, among speakers and attendees. From the lips and minds of neuroscientists to educators, artists to activists, musicians to political theorists, the key points to emerge were:

- The act of making is a powerful learning process—for individuals and organizations. Making—as practiced in the truly do-it-yourself sense—can encourage people to better understand how the world works and consequently articulate their needs. (…) Passion is essential, and that’s always been the fuel for the most exciting new objects and ideas.

- Play is a key ingredient to achieve success across nearly any discipline. (…) Educational researcher Beau Lotto said in his talk that the best psychological and other experiments are games,” essentially. (…)

- The ability to successfully manage change is one of the most valuable new skills for human beings, nations, and businesses to master in coming years. In a world with rapidly changing rules and a dramatically bumpy economy, not merely acknowledging change but learning to practically deal with it will become ever more important. (…) Organizations and individuals reluctant to change from yesterday’s model of protecting intellectual property or keeping information private will struggle, unable to embrace the power of crowds and collective thinking, as Don Tapscott discussed in his talk.

- Openness is a starting point, not an end point.
While the conference celebrated the promise of radical openness, many speakers discussed that it shouldn’t be merely a noble final goal, but the beginning of an era of constantly improving communication, governance, science, medicine, culture, and business. Openness, many speakers suggested, has always been a human pursuit throughout history, and it has to be carefully analyzed and executed to be fruitful.

“Openness alone can’t drive change,” as Margaret Heffernan, management expert, said. “Constructive conflict is necessary…we must be willing to change our minds.” (…) Opacity, he [design curator Deyan Sudjic] stated, offers a “sense of possibility, with some ambiguity.” Social media guru Clay Shirky weaved in and out of media history to discuss how radically open platforms, including Gutenberg’s printing press, give new voice to the masses—but it’s not always immediately a constructive phenomenon. (…) “More media means more argument,” Shirky also observed, acknowledging that instead of the “world peace” that the telegraph, the radio, and TV promised, the opposite (at least in terms of heated debate) followed nearly every new communications medium of the last century or so. And in a talk that’s likely to be argued in lively debates, filmmaker Kirby Ferguson likened copying to the act of invention itself, suggesting ideas are meant to be shared, and those that are borrowed often are dubbed the best. Bob Dylan and Steve Jobs, he pointed out, were masters of re-interpreting the ideas of others. “Our creativity comes from without, not from within,” he said—implying creation may just be a team sport.

Source: designmind.frogdesign.com

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